I though Daft Punk's soundtrack was epically (is that spelled right?) awesome so I would pick them for Tron 3.

My first choice is Daft Punk by a loooooooooong way. But I wouldn't be very disappointed if Tobin scored Tron 3.

If it isn't Daft Punk, I would be seriously dissapointed. If they hired any other electronic artist, he probably wouldn't write all those amazing parts for orchestra and violin that the French robots would obviously repeat.

The only that could make TR3N's soundtrack any better (for me at least) aside from Daft Punk, Is if Wendy Carlos was collaborating, or writing some of the main themes.order abortion pill abortion pill buy online where to buy abortion pill

I enjoyed Daft Punk's score. They managed to balance what is typical of their techno work (songs such as Derezzed is a good example) while expanding into some interesting orchestra work that was pretty awesome in its own right (such as tracks like "Flynn Lives" and, my personal favorite, "Finale").

Honestly, it's a good thing that both members of Daft Punk worked on the score. I've listened to Thomas Bangalter work on the movie Irreversible, and it was pretty interesting but it was really dark and best fit the subject matter of the film.

The drawback of using Daft Punk again is that many people think that they were riffing off of Hans Zimmer's work on Inception when it came to the music of T:L (which I don't see how, as Zimmer himself stated he tried to take something that was analog and make it sound digital, while Daft Punk has always done digital and has made it sound interesting).abortion pills online abortion questions cytotec abortion

I would be totally pleased if Daft Punk was back with Tron 3, but I feel slightly doubtful about that happening. Also, since they changed composers between the first and second movie, I feel like it would be appropriate to keep things fresh and different. Although, if there is another movie, I imagine it will be closer in tone with Legacy than the original.
I guess I partly want to see a new composer because if it stays the same, it's kinda like a new series, with the original film being like a prequel, and if they keep moving forward with new sounds and images, it doesn't place emphasis away from the first film. Know what I mean?
I also really like the idea of getting Wendy Carlos involved.order abortion pill morning after pill price where to buy abortion pillwhere to buy abortion pill http://blog.bitimpulse.com/template/default.aspx?abortion-types buy abortion pill online

If for some reason Daft Punk couldn't do it, I think Justice could do a serviceable job (especially after hearing songs from their new album).

Hell, I'd definitely go for a collaboration of the two.order abortion pill abortion pill buy online where to buy abortion pill

seelbach Wrote:I guess I partly want to see a new composer because if it stays the same, it's kinda like a new series, with the original film being like a prequel, and if they keep moving forward with new sounds and images, it doesn't place emphasis away from the first film. Know what I mean?

seelbach Wrote:I'm not saying I'd expected them to keep Wendy Carlos, I'm just saying that.. the second movie was like a move in a new direction, and if Daft Punk does the third movie then it creates sort of a stronger continuity between films 2 & 3.

Continuity is key if they're doing sequels in the vein of LOTR, Matrix, Pirates of the Carribean, etc. Massive changes in tone aren't conducive to a coherent narrative.

"Moving ahead" in musical theme is natural for a sequel separated by almost 3 decades, I'd hate for them to change it again in such a short time. I think DP did a great job at tying it back to the first Tron and I don't see how sticking with them alienates the new series from its founding movie.on line abortion pill misoprostol dose abortion medical abortion pill online

I think Daft Punk should be used to maintain consistency, but that's mostly due to the style of the sound. I don't think they should be choosing random big-name DJs to do the soundtrack. Needless to say, I was a little worried about how Daft Punk's soundtrack for Legacy would turn out until I heard it. Film soundtracks and listening music are two entirely different categories. Daft Punk managed to succeed, and they've proven themselves as effective soundtrack producers.

Though if Tron 3 were to take place in a different computer system, it would definitely have to have a different style of sound to it, if that makes sense. It could be like comparing a song from a World War II game to that of a modern warfare game. Both are great on their own, but they aren't exactly interchangeable.

Again, I think Daft Punk would be good for keeping consistency, buy that's not necessarily a good thing if the visual style of the computer world is completely original. Assuming Tron 3 goes into the Encom system, we're going to be in a completely different computer system that is up-to-date, as opposed to The Grid, which was essentially a world that stopped developing in 1989 when Flynn was trapped inside. It can be assumed that a modern corporate mainframe would look much different, and as such, a different musical style would be necessary to further enforce the fact that we're in a different world than The Grid.

I've been going under the assumption that Tron 3 will take us back to the Encom system. If Daft Punk can pull something off that fits the Encom system, then that's great. They did a great job of "personifying", in a sense, the dark and dangerous atmosphere of The Grid with their score for Legacy. As far as other choices go, Nathan Grigg did a great job with the Tron 2.0 soundtrack, and created something that fit the various worlds Jet went through while still managing to sound reminiscent of the original Tron's soundtrack. As far as big name composers go, Harry Gregson-Williams has done some pretty great stuff that sounds moderately electronic (Metal Gear Solid 2 comes to mind). There's also Wendy Carlos, but I don't know if she's still composing film soundtracks or alive for that matter.

Hans Zimmer is another pretty big-name film composer, and while I think he's definitely earned that big-name status, I don't know if he'd be right for Tron. He sports a much more orchestra-focused style that fits big action military shooter movies/games. Put him in a blender with robots and you get Tron Legacy's soundtrack, though, so who knows. order abortion pill http://unclejohnsprojects.com/template/default.aspx?morning-after-pill-price where to buy abortion pill

TRON.dll Wrote:Again, I think Daft Punk would be good for keeping consistency, buy that's not necessarily a good thing if the visual style of the computer world is completely original. Assuming Tron 3 goes into the Encom system, we're going to be in a completely different computer system that is up-to-date, as opposed to The Grid, which was essentially a world that stopped developing in 1989 when Flynn was trapped inside. It can be assumed that a modern corporate mainframe would look much different, and as such, a different musical style would be necessary to further enforce the fact that we're in a different world than The Grid.

I think by giving us one pleasant surprise, Daft Punk has earned the right to try and give us another one by showing they can take their style to yet another direction. I think it's a bit premature to assume they'll bring back more of the same if they're signed on again.

So are you saying that BTTF had a good soundtrack?